Husband of Elena Kovrigina, ex-wife of Aizenshpis. The mysterious disappearance of the son of Aizenshpis: he left everything and went to St. Petersburg

Employees of the patrol service of the Nevsky district of St. Petersburg detained a 22-year-old man early on Thursday morning. When checking his documents, it turned out that he is the son of the famous producer Yuri Aizenshpis, who worked with the Kino group and Dima Bilan.

Mikhail Aizenshpis, who was detained by the police, was on the wanted list in Moscow for almost a year as he had lost contact with his relatives. Young man was taken to the police department and interrogated, writes LifeNews.

Then the police officers told their Moscow colleagues that "a citizen has been found," a source in law enforcement agencies specified.

In February 2014, Mikhail Aizenshpis was detained in Moscow for drug possession. 1.58 grams of cocaine were seized from him. In addition, the detainee had a briefcase with money.

According to the police, Mikhail behaved "not quite adequately" and, most likely, was intoxicated.

The offspring of a famous producer spent several hours at the police station, and after paperwork and interrogation, he was released on bail.

Producer with a criminal record

Yuri Shmilevich Aizenshpis was born on July 15, 1945 in Chelyabinsk, where his mother, Muscovite Maria Aizenshpis, was evacuated.

The father of the future producer, WWII veteran Shmil Moiseevich Aizenshpis, was born in Poland, and ended up in the USSR, fleeing persecution after the occupation of the western part of Poland by Nazi German troops.

Yuri's parents worked in GUAS (Main Directorate of Airfield Construction). At home they had the first mass-produced Soviet TV set KVN-49 and a gramophone with a collection of records.

Until 1961, the Aizenshpis lived in a wooden barrack, and then received an apartment in the prestigious Sokol district of Moscow. V youth Yuri was involved in volleyball, handball and athletics. But due to a leg injury, he quit the sport at the age of 16.

In 1968, Yuri graduated from the Moscow Institute of Economics and Statistics with a degree in engineer-economist, and two years later he was arrested. During a search in the apartment of Aizenshpis, 15,585 rubles and 7,675 dollars were confiscated. As a result, the young man was tried under Art. 88 (“Violation of foreign exchange rules”) and sentenced to 10 years in prison.

As Yuri Aizenshpis himself said, he embarked on a criminal road because of his love for music, collecting records.

"While buying and selling music discs, I felt a taste for money and a beautiful life. Then jeans, equipment, furs followed. Then gold and currency. It was in 1965 that I first saw and felt American dollars," the producer recalled in an interview given "Gordon Boulevard".

According to him, he bought the currency from taxi drivers and prostitutes, who more often than other Soviet citizens had contact with foreigners.

When Yuri served his first term and was released, a few weeks later he "cranked out a major operation to buy and sell 50,000 counterfeit dollars." For this, he was sentenced to another seven years in prison.

According to Yuri, although he had diplomat friends, there was no way to escape prison. “Then society was not so corrupt. I was in prison with the son of the head of the KGB investigation department. And there were many such examples. Now you can close a criminal case for money. Then it was very difficult,” said Aizenshpis.

However, in the same interview he expressed the opposite thought. "There (behind bars. - Note. site) 70 percent of prisoners are starving. I didn't starve. How? Money does everything, of course, unofficially," the former prisoner, who made a brilliant career in show business, confessed.

Having been released in 1988, at the height of perestroika, Aizenshpis worked in the creative association "Gallery" under the city committee of the Komsomol, organizing concerts of young performers. Since December 1989, he has been the director and producer of the Kino group. After the death of its soloist Viktor Tsoi in 1990, Yuri took out a loan and released the Black Album (the last work of the Kino group) with this money. Thus, the producer was one of the first to break the state monopoly on the release of records.

Aizenshpis was the producer of the Technology and Moral Code groups, and also brought Linda, Vlad Stashevsky, Katya Lel to the big stage.

The last major creative success of Yuri Aizenshpis was the collaboration with Dima Bilan. But in September 2005, the producer died of a heart attack, two days before the triumph of his pupil, who received the Russian version of the prestigious MTV-2005 music award.

Looking for a boy

The only heir to the famous producer Yuri Aizenshpis, Mikhail, was found safe and sound. The 22-year-old boy has been wanted since January of this year. A statement about the missing son was written by the former common-law wife of Aizenshpis, Elena Goiningen-Gune. Then the woman told the cops a tearful story about how the “boy” left his Moscow apartment, does not answer the phone and nothing about him is known to relatives or friends.

On January 28, the Metropolitan Police put Mikhail on the federal wanted list. Photos of the slender guy were sent to all departments different regions. Soon the trail led them to Petersburg. The guy bought a ticket for a peregrine falcon and got lost in the city on the Neva.

Opera was looking for, but somehow very lazy. Photos of his orientations did not flood the metro stations, did not hang on every pole. They didn't even ask for help from volunteers.

And yet Misha got caught. On June 2, at noon, he was stopped in the south of the city near the Moskovskiye Vorota metro station.

Alive, healthy. We talked to him, he wrote a receipt that he would return home and went about his business, - a police source briefly said. Cops don't want to share details. They only explain that they found it through “operational development”. So the guy didn't show himself.

Operas' reluctance to share details is understandable. Mikhail, although he was on the federal wanted list, but not as a criminal. In fact, he simply stopped communicating with relatives, broke off old ties and left for the most beautiful city in Russia.

It's his own business how to live and where, - shrug their shoulders in the police.

star guy

Michael has always had complicated relationship with relatives. For example, his aunt Faina - the sister of the deceased producer - learned about the disappearance of her nephew only from journalists.

We never really talked, - the woman explained then. I don't even know if he disappeared or not.

Misha did not see his father often, especially in childhood, although he is his only heir. When Yuri Shmilevich died, the guy was 12 years old. The former civil wife of Aizenshpis began to demand an inheritance for her son. As such, the whole Dima Bilan was attached - songs, brand. As compensation, they asked for $ 2 million at the rate of 2007.

Yura was not one of those fathers who are interested in messing around with kids, - Elena Goiningen-Gühne spoke at the trial. - But in Lately they were very friendly. And Yuri Shmilevich always solved the problems of his child, including material ones. Misha is growing up, in a few years he will go to college ... Only his father, who could help him, is no longer around.

The story of the division of the Dima Bilan project divorced the artist from the family of the first producer, although before that the singer swore that he would not leave them.

Yuri Shmilevich died in 2005 from a heart attack, two years before the previously unknown, but talented Vitya Belan became the “artist of the year” and “performer of the year” at the prestigious MTV RMA-2005 award.

At the funeral, Dima was held by the hand by Yana Rudkovskaya on the one hand, and on the other by the son of the late producer Misha Aizenshpis. After the death of his mentor and teacher, Bilan decided to leave StarPro, which was inherited by the widow and son of Aizenshpis. Then he gave an interview to KP, where he spoke about the contract with the Aizenshpis studio:

Yes. The contract was. But serfdom abolished in 1861. And human relations must remain human.

After that, Bilan thundered, and we heard about the son of Aizenshpis only in fits and starts. He, it seems, opened a company in Moscow, which was engaged in software development. But the story of the suitcase became the peak of his popularity. In February 2014, Misha was detained with cocaine and a suitcase of money. According to the police, he was taken to the police station at his own request. Then, near the Polezhaevskaya metro station, he approached the employees law enforcement and asked to be taken into custody. The guy's behavior aroused their suspicions. They searched - they found a bag of cocaine and a substantial amount of money in the car. After the opera, they searched his apartment. The case was opened, but it ended in nothing. The young man was released. A year later, he disappeared.

Elena Goyningen-Hühne, who filed a statement about her son's disappearance in January of this year, now does not want to discuss family matters. She told Komsomolskaya Pravda that Mikhail did not disappear at all and that she had known about his stay in St. Petersburg all this time.

He was not missing, no one from the police called me, - said the mother of Aizenshpis. - He is not and was not on the federal wanted list. This is all false information. And I won't discuss it with you. My son is not a star, like our entire family.

DOSSIER "KP"

Yuri Shmilevich Aizenshpis was born on July 15, 1945 in Chelyabinsk, where his Muscovite mother Maria Mikhailovna was evacuated. After the war, the family returned to the capital. Even in his student years (he studied as an engineer-economist), Yuri began working in the underground Soviet "show business" - he organized concerts of the Sokol rock band, popular in the 60s among Moscow youth. In 1970, during a search in Aizenshpis's apartment, the police seized 15,585 rubles and $7,675. He was convicted under the article “Violation of the rules on foreign exchange transactions” and was released only 18 years later, in 1988. A year later, he became the director of the Kino group, and after the death of Viktor Tsoi, he began to collaborate with other artists. V different years produced the groups "Technology", "Moral Code", "Dynamite", singers Linda, Katya Lel, singer Vlad Stashevsky. Last big project Yuri Aizenshpis - Dima Bilan.

The producer died on September 20, 2005 from a myocardial infarction. He was buried near Moscow at the Domodedovo cemetery.

Yuri Shmilevich Aizenshpis was born a month after the end of the Great Patriotic War in Chelyabinsk. At that time, the producer's mother was evacuated there. Yuri Shmilevich comes from an unusual family. The father's ancestors lived in Spain, but at the same time, Poland is indicated in Shmil Moiseevich's passport as the country of birth. Already in adulthood, the man fled to the USSR, fearing the reprisals of the Nazis.

Interestingly, the real name of Yuri's father is Shmul. An employee of the NKVD, filling out a passport, mixed it up. So it turned out Shmil Aizenshpis. The man went through the Second World War, visited Berlin. In this case, the soldier was never wounded. The mother of Yuri Shmilyevich's biography is no less interesting. Maria Mikhailovna was born in Belarus.

After the death of her parents, she was transferred to the upbringing of distant relatives. Due to the outbreak of the war, she did not have time to get a diploma in journalism. Maria Mikhailovna joined partisan detachment, several times almost fell into the hands of the Germans. In the post-war years, she was awarded medals and orders.


The acquaintance of Yuri's parents took place at the Belorussky railway station in 1944. After the end of the war, Maria Mikhailovna and Shmil Moiseevich ended up in the Main Directorate of Airfield Construction. At that time, the Aizenshpis family lived well. They had a TV and a gramophone with a large collection of records in their house.

Until 1961, the producer's family lived in a wooden barracks, but then moved to an apartment located in the Moscow Sokol district. Yuri Shmilevich was a sports child, he attended a sports school. The producer was a fan of handball, volleyball and athletics. I had to retire from professional sports due to a leg injury.


Yuri took his first steps as an administrator already in his youth. In 1965, the man began to collaborate with the rock group Sokol. Despite the obvious craving for show business, Aizenshpis received an economic education at the Moscow Institute of Economics and Statistics.

Music and production

Producer career for Yuri Shmilevich began while studying at the institute. Collaboration with a rock band did not help to reach the desired heights. Then Aizenshpis went to jail for conducting illegal currency transactions. After leaving prison, the producer ended up in the perestroika world, which became the starting point for developing a career in show business.


Acquaintance with Alexander Lipnitsky allowed Aizenshpis to become the head of the Intershans festival. Gradually, the man studied the basics of backstage life, identified methods of influencing musicians, and later moved on to producing.

“Promoting an artist is the functional responsibility of a producer. And here any means are good. Through diplomacy, bribery, threats or blackmail,” Yuri Shmilyevich said.

This approach has been successful. From an ordinary producer, Aizenshpis quickly rose to the rank of show business shark. Yuri began to help performers who wanted to be on the big stage. Not everyone suited Aizenshpis. The producer, lighting the stars, chose artists who could "hook" the viewer. A prerequisite was the presence of a repertoire. To promote musicians, Yuri Shmilyevich used the media and television.


In 1988, the Kino group fell into the hands of Aizenshpis. By this time, the musicians had already reached a certain level on their own, but a professional approach to promotion was required. The cooperation of two talented people - Yuri Shmilyevich and - has borne fruit.

The fame of the producer and musician soared to unprecedented heights. Two years later, Viktor Tsoi dies. Aizenshpis takes a loan of 5 million rubles and releases the posthumous album of the musician "Black Album". The circulation of the disc exceeded 1 million copies. On this project, the producer earned 24 million.


Musicians of the Kino group, Yevgeny Dodolev and Yuri Aizenshpis at the presentation of the Black Album

Yuri Shmilevich's career developed rapidly. After Kino, another team followed - Technology. In fact, Aizenshpis promoted the group from scratch. Young musicians became popular. For some unknown reason, after a year of joint work, the paths of the producer and the wards diverge.

Already in 1992, Yuri Aizenshpis was recognized as the best producer in the country. A year after official recognition, he meets Svetlana Geiman, known under the pseudonym. They worked for several months, after which he took up the promotion of the singer.

For 6 years, Yuri Shmilevich collaborated with a famous singer in the 90s. Collaboration led to the recording of 5 albums. Aizenshpis increased Vlad's popularity and recognition at times. The musician was invited to major concerts and events in Russia and the USA.

The track record of Yuri Aizenshpis includes such stars as Nikita, the Dynamite group. The main achievement in the work of the producer was. Under the leadership of Yuri Shmilevich, they learned about the artist in Russia.


Aizenshpis described the bright moments of life and work in books. The producer published "Lighting the Stars. Notes and advice of a show business pioneer”, “From a black marketer to a producer. Business people in the USSR” and “Viktor Tsoi and others. How the stars light up. In memory of the producer, a program was broadcast on the TVC channel called Wild Money.

Personal life

Rumors constantly circulated around Aizenshpis. In show business, they said that the producer brought the so-called "blue lobby" to the work. Previously, women were brought to a man for promotion, later lovers of politicians and businessmen began to appear. More than once, Yuri Shmilyevich and the wards of the producer were called gays, but no official confirmation of the men's orientation was found.

“A term in prison could have influenced Aizenshpis’s orientation,” the ex-husband suggested.

Numerous rumors did not prevent Yuri Shmilyevich from living in a civil marriage with Elena Lvovna Kovrigina.


After the death of Aizenshpis, she quickly arranged her personal life by marrying director Leonid Goiningen-Hühne. Yuri and Elena had a son, Mikhail. In 2014, a young man came to the police in connection with the use of drugs. During the search, 1.5 grams of cocaine were found on Mikhail.

Death

Imprisonment had a negative impact on the health of the producer. For a long time Yuri Aizenshpis hid what he has serious problems. Officially, the cause of death is myocardial infarction, but a number of diagnoses led to this, including cirrhosis of the liver, gastrointestinal bleeding, hepatitis B and C. The information that Yuri Shmilyevich had AIDS, which led to death, is not documented.


Three days before his death, Aizenshpis felt unwell. The doctors decided to hospitalize the producer. After the manipulations, the condition improved, so Yuri Shmilevich persuaded the doctors to let him out of the hospital. The producer wanted to see Dima Bilan receive the prestigious MTV-2005 music award.


Before the ceremony, the producer did not live two days. Aizenshpis's life was cut short in the 61st year. The funeral took place at the Domodedovo cemetery. The farewell ceremony was attended by artists, composers and other show business figures. Numerous photos of the mourning Dima Bilan have circled the Internet. The grave of the producer is located next to the parent.

On September 20, Yuri Shmilevich Aizenshpis (1945-2005), one of the few real producers in this country, died.

Aizenshpis got into show business in his youth, but much of what he did then was on the verge of legality (). As a result, the guy went to a prison university and was able to fully return to work only by the age of 45.

Aizenshpis' first project was Viktor Tsoi, whose cooperation was interrupted by a tragic accident.

Artists left him with scandals, he threw them himself, sometimes there was not enough money for further promotion.

Let's talk today about the "thwarted" projects of the producer, who is considered super-successful.

TECHNOLOGY GROUP (1991-1992)


Collaboration: The members of the group agree that Aizenshpis took them, like Tsoi, "ready". There was no need to do anything - "Technology" had already successfully performed "Strange Dances" and "Press the Button", which became calling card guys.

Aizenshpis just shot them a video for "Strange Dances" and charged the airwaves. In addition, he persuaded the participants to mow outwardly to Depeche Mode. Well, I also brought lighting equipment from abroad.

But to shoot clips and charge the broadcasts cost money, which the participants of the "Technology" did not seem to understand. The editors on television demanded money for every sneeze, making Aizenshpis nostalgic for the days when Tsoi's appearance in the Vzglyad program cost nothing.

Reasons for the gap: The "Technology" was ruined by the crowd. Incomes were divided at the rate of 60% to Aizenshpis, 40% to the group. In principle, in a divine way, but these 40% had to be pulled for four and the amount was not impressive. Why Technologiya accused Aizenshpis of this is not entirely clear. Let's assume - trouble with arithmetic.


Wanting to wrest from Aizenshpis not only freedom, but also money, Technology turned to crime for help.

Aizenshpis said:

“A letter on 15 pages with a red ballpoint pen with a bunch of accusations was received not only by me, but also by some criminal elements who undertook to judge us. I just couldn't dismiss these people and agreed to meet. The shooter took place in one of the rented apartments near Sokol. In addition to me, who came in splendid isolation, and the brawlers from the group, there were several more very authoritative people in criminal circles. Kind of like a protégé of musicians. And with someone I even somehow sat together ...

Debriefing has begun. Having calmly listened to a whole stream of accusations, I answered each of the points with such skill and reason that I didn’t even leave a stone unturned. The criminal element recognized my innocence and did not take the side of the musicians. All that I lost as a result of this meeting was a mountain of promotional material for the group, all sorts of stupid posters and calendars with their arrogant faces "

"YANG GUNS" (1992)


Collaboration: Not realizing that the time for pop music was coming, Aizenshpis took another rock band under his wing, but quickly changed his mind. He did not have time to invest steep finances in this project, for which he repeatedly thanked the Lord.

Reasons for the breakup: The initiator of the breakup was Aizenshpis, he got too wild musicians. The guys all the time shared leadership in the team, starting fights right at the concerts, spoiling the equipment, conflicting with the police. And it was not yet glory, and even its breath would blow the roof off without a return. Realizing this, Aizenshpis broke the contract.

LINDA (1992-1993)


Collaboration: Linda Aizenshpis was interested in dad, banker Alexander Geiman, or rather, his money. First of all, Aizenshpis destroyed Linda's duet with her girlfriend, convincing him that it was easier to push through a solo project. Then he faced the shyness of the future star. Aizenshpis gave her a description:

Linda wore long hair and could not speak coherently: an ordinary provincial Jewish girl whose dad has risen a lot. No talent at all, just a girl who wanted to sing. And in the school, of course, having felt the taste of profit, they began to write it down as super talents. They just bred the parent for clearly selfish purposes so that he would hire expensive teachers.

Reasons for the gap: Naturally, the producer's criticism strained the banker, and Aizenshpis did not know how to mold something acceptable from the artist. And then Max Fadeev appeared on the horizon.

The success of the first albums could not be repeated, although in 2004 Linda had another powerful promotion with producer Prigogine at the head.

VLAD STASHEVSKY (1993-1999)

Collaboration: The first project of Aizenshpis, molded by him from start to finish and having a great success. Taking a handsome, well-mannered guy, Aizenshpis ordered music and text for him. Vlad shot very powerfully, at a certain moment all the broadcasts were his.

The project lasted a long time, since Stashevsky understood what he owed to the producer and did not have grandiose creative claims. Everything was going great until Vlad married the daughter of the owner of Luzhniki, Olga Aleshina.


Reasons for the gap: Alyosha began to blow Stashevsky in the ear that it was better to work without Aizenshpis, she would be the producer and all the money would go to the family.

Aizenshpis tried to stay cheerful:

“My “divorce” with Vlad is the first major one in our show business, which was tactful and peaceful. Without mutual claims, name-calling and boycotts. First time two famous person, producer and artist, have publicly announced that they will cease their collaboration from now on. We did it in the Intermedia office, where we signed a statement for the mass media about the end of the five-year contract and about satisfaction with the results. joint activities. As confirmation of this amazing fact I gave such indisputable evidence of the success of the project as the release of five albums, one hundred songs, seventeen clips and five diplomas of “Songs of the Year” in five years.

It's good that Vlad managed to return to normal life without any "a la Zhenya Osin" pushes.

SASHA (1999-2000)

Collaboration: From a really bright singer, Aizenshpis tried to mold the Russian Madonna (meaning an earthly star, not a heavenly one). The situation was facilitated by the fact that Sasha did not come alone, but with a budget. Pretty soon, songs like "It's just rain" flooded the airwaves.

Reasons for the gap: The philanthropist, who gave money for Sasha, put her to bed, and then began to be jealous, while being married. There were constant troubles.

Aizenshpis recalled:

“On the basis of scandals, there was a constant mess with the ethers. Everything has already been paid for, suddenly at the last moment a call: “Cancel everything!”. I cancel with losses, it’s good that I saved at least some of the money. And suddenly the call came again: “Bring everything back!” And try to explain to him that this is not done!

Investor Aizenshpis fired, and Sasha tried to block the way to the stage.

NIKITA (1999-2000)


Collaboration: Like "Technology", Nikita came to Aizenshpis with ready-made material and at first did not impress. But after looking more closely, the producer decided to invest in the boy. The songs “Fly away forever”, “You descended from the sky”, the scandalous clip “Hotel”, with the strictest account, will go down in the history of the Russian music industry.

Unfortunately, Nikita thought of himself as an independent creative unit, and so it probably was, but at the same time, he clearly underestimated the contribution of Yuri Shmilyevich.

Reasons for the gap: They were voiced by Aizenshpis.

“Our relationship was constantly confronted. It would seem, well, what's the big deal, you're lucky, you work with a major producer, you get good money, an excellent prospect. But no, on all issues there is a point of view, fantastic self-confidence and peremptoryness and, as a result, constant conflicts.

After two years with a penny, Aizenshpis and Nikita broke up.

“When I started working alone, in the early days I just wanted to hang myself. When I collaborated with Aizenshpis, I did not think about anything other than performances. And now I have to solve all the issues alone - from organizing tours to choosing concert costumes ... "

Aizenshpis no longer wanted to contact Nikita. As a result, the promising singer rolled down to an artist of the level of clubs in the sleeping areas of Moscow.

The latest projects of Aizenshpis, the Dynamite group and Dima Bilan, were successful.


Although by the time Yuri Shmilyevich passed away, Dynamite was in crisis, since Leonid Nerushenko, expelled from the group, died. As for Bilan, he fell into a lawsuit with the widow of Aizenshpis, as soon as the producer's corpse had time to cool down.

These are the results of the professional activity of a non-trivial, tough and very talented person.

Popular Artist Dima Bilan now has no right to go on stage and release albums. On March 29, at a press conference in RIA Novosti, she spoke about this Elena Kovrigina, producer's widow Yuri Aizenshpis.

ON THIS TOPIC

At the beginning of the press conference, Elena Kovrigina announced that on the tenth day after the death of Yuri Aizenshpis, she turned to lawyer Pavel Astakhov with a request to prepare all the documents so that the producer's son Misha Aizenshpis entered into the right of inheritance. Kovrigina was worried that her son's rights would not be infringed.

The fact is that at the beginning of his creative activity, Viktor Belan (Dima Bilan) signed a contract with producer Yuri Aizenshpis stating that the brand, image and repertoire of the artist "Dima Bilan" belong to Aizenshpis' production center "StarPro". The contract also stated that if Dima Bilan breaks off relations with StarPro, then he is not eligible to perform for the next ten years. According to the Civil Code, after the death of Yuri Aizenshpis, the StarPro company became the property of the son of producer Misha Aizenshpis.

Pavel Astakhov showed documents to journalists, confirming that the rights to the brand, image, and repertoire of Dima Bilan by right of direct inheritance belong to 15-year-old Misha Aizenshpis. And until the child reaches the age of majority, his mother and guardian Elena Kovrigina will manage the son's property.

According to Elena Kovrigina, she is not interested in show business and she is not going to be engaged in artist Dima Bilan. She signed an agreement with the Soyuzconcert company, to which the rights related to the Dima Bilan project are transferred. Representatives of the Soyuzkontsert company present at the press conference, in turn, said that it is theoretically possible that they will transfer the Dima Bilan project to one of the Western companies. Recall that the dispute over the rights to use the stage name of the singer broke out in September 2005 after the death of Aizenshpis. “Then Bilan disappeared from our field of vision and showed up with new owners. He left the company, believing that the death of Aizenshpis relieves him of all contracts. But he has no right to simply turn around and leave, because we are talking about legally unresolved issues. This is business and nothing more, "Elena Kovrigina said at a press conference. In the fall of 2005, Elena Kovrigina negotiated with the new producer of Dima Bilan, Yana Rudkovskaya. It was about two million dollars, which, according to Kovrigina, Yuri Aizenshpis invested in Dima Bilan and equipment of his studio. Elena offered the new producers to reimburse the StarPro center for these costs. But the negotiations then suddenly stopped. There were no payments from Dima Bilan. The singer continued to perform, while not answering the phone, and only once came home to Kovrigina and brought for Misha a pack of chips and a can of Coca-Cola.Elena also said that Dima Bilan is still registered in the apartment, which belonged to Yuri Aizenshpis.

By the way, Dima Bilan's performance at the Eurovision Song Contest, like any other singer's performances after the death of Aizenshpis, can also be interpreted as a violation of the law.

Elena Kovrigina explained her almost two-year silence by the fact that even in negotiations with a representative of the new producers and Dima Bilan, she promised not to raise a fuss around this issue. And then she was preparing everyone required documents. Whether penalties for non-compliance with contracts will be applied to Dima Bilan, neither Elena Kovrigina nor Pavel Astakhov reported.

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